Studio Visit and Interview with Nerrida Parfitt

Studio Visit and Interview with Nerrida Parfitt

Words by Madeline Young and Nerrida Parfitt, photos by Madeline Young.

In August, I had the privilege of visiting Nerrida Parfitt at her lovely home in Ballarat to preview the new pieces for her solo exhibition, Pause. Nerrida’s studio is a sun-drenched room perched on the top floor of her house. The bright and airy space, filled with natural light, is a stark contrast to the moody, introspective, and at times mysterious nocturnal scenes she masterfully brings to life on canvas. Each work reflects her unique ability to transport viewers into a world of quiet wonder and suspense.

Pause is an absolutely stunning exhibition by Nerrida Parfitt and is open to the public from November 6th through 16th. View the PDF catalogue here.

Artworks for *Pause* in Nerrida Parfitt’s studio.

Tell us about your background. How long have you been painting?

I’ve enjoyed art since childhood and first explored painting in high school, which inspired me to pursue a creative career. I completed a visual arts diploma at TAFE, where I developed skills in oil painting, printmaking, figure drawing, and design. Being in such a creative environment was incredibly inspiring.
After that, I studied electronic design and interactive media, focusing on design, interactivity, 2D and 3D imaging, animation, website design and media production, which led to work in desktop publishing. I later completed a graphic design diploma to expand my commercial skills, allowing me to work across multimedia, web, and design in different industries. Each of these paths has helped to shape my art. However, painting remains my true passion, and I spend most weekends in the studio.
How do you approach the creative process from concept to completion?

I begin by jotting down ideas and gathering references from photo shoots and online searches. Using Photoshop, I manipulate multiple images, adding elements to create the initial concept. I work on lighting, shadow, tonal values, and balance until the digital image feels ready to paint.
In the studio, I prepare my painting surface with colored gesso to add depth. I pencil in the composition, block in medium tones with acrylics, then build layers with oils. The process evolves as I work, allowing the painting to sometimes take its own direction.
How do your personal experiences shape your art?

Creating feels like an extension of who I am. The studio is my space to recharge, and my art reflects the quiet, solitary moments I find in nature and the historic surroundings in Ballarat. Living near a nature reserve, I’m continuously inspired by the landscape around me.
How do you handle creative blocks?

Visiting galleries and viewing other artists’ work usually provides a fresh perspective when I return to the studio. A change of scenery can also be refreshing, such as a walk in nature or a day trip, which often helps me reset creatively.
What’s next for you?

I’m excited to keep pushing my ideas, exploring similar themes, and refining my technique. I'm keen to participate in more group shows, and also explore new opportunities.

Nerrida Parfitt working on *Lost in Thought.*

Nerrida Parfitt, *Lost in Thought,* 2024. Oil on board, 43x33cm framed in raw oak.

Nerrida Parfitt, *Tail Lights Fade,* 2024. Oil on canvas, 63.5x63.5cm framed in raw oak.

Nerrida Parfitt, *Nocturne: Approaching,* 2024. Oil on canvas, 76x51cm framed in raw oak.

Nerrida Parfitt, *Plume,* 2024. Oil on canvas, 53×53cm framed in raw oak.

Nerrida Parfitt, *Swept,* 2024. Oil on canvas, 63x63cm framed in raw oak.

exhibition, q and a, studio visitMadeline Young3 November 2024The Corner Store Gallerynerrida parfitt, studio, interview, Q and A, paint, painter, landscapeComment